Sunday, May 1, 2016

Exhibition, Publlication & Review - Fotofest 2016, Houston

Fotofest Bienneal Changing Circumstances: Looking at the Future of the Planet
Exhibition March 12-April 24, 2016
Houston  TX 
FotoFest created the first international Biennial of Photography and Photo-related Art in the United States. FotoFest is an international non-profit photographic arts and education organization based in Houston, Texas.
FotoFest's purpose is to promote the exchange of art and ideas through international programs and the presentation of photographic art. Our programs work globally and locally, bringing together an international vision of art and cross-cultural exchange with a commitment to community involvement and the enrichment of Houston's cultural resources.
In addition to its internationally known Biennial, FotoFest sponsors Inter-Biennial programs - exhibitions, international exchange programs, and publications. In grades 3-12, FotoFest operates a year-round classroom education program, Literacy Through Photography, using photography to strengthen writing skills, visual literacy, and cognitive learning. FotoFest is a member of the Festival of Light, an international network of photography events which FotoFest helped initiate in 2000.
“These are artists who have engaged the natural world and humanity’s place in that world, over many years,” says 2016 Biennial co-curator Wendy Watriss. “Many of the artworks manifest the artists’ rigorous investigations into science and philosophy.” Featured projects address the anthropocene – climate change; industrialization and urbanization; bio-diversity; water; the use of natural and human resources; human migration; global capital, commerce and consumption; energy production; and waste.

The CHANGING CIRCUMSTANCES  exhibition is on view at SILVER STREET STUDIOS, THE SILOS AT SAWYER YARDS, SPRING STREET STUDIOS, and WILLIAMS TOWER GALLERY.

FEATURED ARTISTS


The FotoFest 2016 Biennial exhibitions are co-curated by Wendy Watriss and Steven Evans with Frederick Baldwin. Ms. Watriss and Mr. Baldwin are co-founders of the 33 year-old organization. Mr. Evans is FotoFest’s Executive Director. The three curators have organized the Biennial exhibitions, as well as the associated programming, much of which will showcase the artists, and the issues explored in their artworks.

The Houston Double-Tree - the Atmosphere, the Wealth, the Extraction Industry
DoubleTree Hotel Complex



Williams Tower - Exhibit Site and Belly of Extration  Indusry Beast

Our Exhibition Installation

Fotofest Director, Steven Evans discusses Processed Views at the Williams Tower Venue




 

 

 

 

 

 

 

Artists' Presentations of their work at Willliams Tower Venue


Williams Tower Opening Reception

Our Presentation for Fotofest's Literacy Through Photography Program

 

Announcement for our Exhibition  - 

Changing Circumstances: Looking at the Future of the Planet


 

 

 

 

 

 

 

 

   

 

Williams Tower Venue - Installation Shots



Exhibitors, l to r:  Brad Tempkin, Pedro David, Lindsay Lochman, 

Robert Harding Pittman, Barbara Ciurej


 

 

 

 

 

 

 

 

 

The Fence in Houston, on exhibit concurrently with Fotofest


 

 

 

 

 

Exhibition Catalogue - Changing Circumstances: Looking at the Future of the Planet


Essay for Catalogue:  As Midwesterners, we saw the landscape transformed as the family farm gave way to agricultural industry. This was not exclusive to the heartland, as Big Ag and food processing facilities eventually spread across the country. In earlier work, we photographed the American West,observing how human interventions altered the land in accord with ideas of progress and new trends in consumption. In Processed Views: Surveying the Industrial Landscape, we revisit the landscape, this time at the seductive and alarming intersection of nature and food technology.We came to Processed Views from a previous project about the nurturing aspect of food. In those photographs, we traced the emotional and physical energy that flows through the intimate act of preparing and sharing food. The flip side of mealtime in America, however, is the complex, impersonal system of industrial agriculture, food processing, and marketing. As our country moves further away from traditional sources of food, we enter uncharted territory with its myriad unintended consequences for the environment and for our health.Throughout our collaboration, we have turned to history as a source of inspiration. We reference here the work of Carleton Watkins (1829-1916), whose iconic photographs honored nature and documented development on the frontier. His images were made at a critical time in the ongoing oppositional relationship between American industrial development and conservation. We are at another such historical moment today.Processed Views presents a provocative encounter with the average American diet. We ask ourselves and our viewers to reevaluate this supposed utopia. Have we oversold our technological ability to bend the forces of nature, whether to fulfill fantasies of a fun food diet or to meet heroic expectations of feeding the world? We hope this work serves as a cautionary tale, where we can extract lessons from the past and pause to consider the consequences of our choices.
Stellas at Fotofest -  Portfolio Reviews  -


Menil Collection and Rothko Chapel

 

 

 

 

 

Additional Activities attached to Fotofest


 

  

 



 

 

 

 

 

Marfa Dialogues
Farewell Hodown  Lawndale Arts Center - Hillerbrand & Magsamen Exhibition
Barb views Turrell Installation- Museum of Fine Arts Houston
Lindsay views Turrell Installation



Farewell Ho-Down Houston Barbeque
Menil Collection Nourishment

Exhibition, Publlication & Review - Fotofest 2016, Houston

Fotofest Bienneal Changing Circumstances: Looking at the Future of the Planet
Exhibition March 12-April 24, 2016
Houston  TX 
FotoFest created the first international Biennial of Photography and Photo-related Art in the United States. FotoFest is an international non-profit photographic arts and education organization based in Houston, Texas.
FotoFest's purpose is to promote the exchange of art and ideas through international programs and the presentation of photographic art. Our programs work globally and locally, bringing together an international vision of art and cross-cultural exchange with a commitment to community involvement and the enrichment of Houston's cultural resources.
In addition to its internationally known Biennial, FotoFest sponsors Inter-Biennial programs - exhibitions, international exchange programs, and publications. In grades 3-12, FotoFest operates a year-round classroom education program, Literacy Through Photography, using photography to strengthen writing skills, visual literacy, and cognitive learning. FotoFest is a member of the Festival of Light, an international network of photography events which FotoFest helped initiate in 2000.
“These are artists who have engaged the natural world and humanity’s place in that world, over many years,” says 2016 Biennial co-curator Wendy Watriss. “Many of the artworks manifest the artists’ rigorous investigations into science and philosophy.” Featured projects address the anthropocene – climate change; industrialization and urbanization; bio-diversity; water; the use of natural and human resources; human migration; global capital, commerce and consumption; energy production; and waste.

The CHANGING CIRCUMSTANCES  exhibition is on view at SILVER STREET STUDIOS, THE SILOS AT SAWYER YARDS, SPRING STREET STUDIOS, and WILLIAMS TOWER GALLERY.

FEATURED ARTISTS


The FotoFest 2016 Biennial exhibitions are co-curated by Wendy Watriss and Steven Evans with Frederick Baldwin. Ms. Watriss and Mr. Baldwin are co-founders of the 33 year-old organization. Mr. Evans is FotoFest’s Executive Director. The three curators have organized the Biennial exhibitions, as well as the associated programming, much of which will showcase the artists, and the issues explored in their artworks.

The Houston Double-Tree - the Atmosphere, the Wealth, the Extraction Industry
DoubleTree Hotel Complex



Williams Tower - Exhibit Site and Belly of Extration  Indusry Beast

Our Exhibition Installation

Fotofest Director, Steven Evans discusses Processed Views at the Williams Tower Venue




 

 

 

 

 

 

 

Artists' Presentations of their work at Willliams Tower Venue


Williams Tower Opening Reception

Our Presentation for Fotofest's Literacy Through Photography Program

 

Announcement for our Exhibition  - 

Changing Circumstances: Looking at the Future of the Planet


 

 

 

 

 

 

 

 

   Williams Tower Venue - Installation Shots



Exhibitors, l to r:  Brad Tempkin, Pedro David, Lindsay Lochman, 

Robert Harding Pittman, Barbara Ciurej


 

 

 

 

 

 

 

 

 

The Fence in Houston, on exhibit concurrently with Fotofest


 

 

 

 

 

Exhibition Catalogue - Changing Circumstances: Looking at the Future of the Planet


Essay for Catalogue:  As Midwesterners, we saw the landscape transformed as the family farm gave way to agricultural industry. This was not exclusive to the heartland, as Big Ag and food processing facilities eventually spread across the country. In earlier work, we photographed the American West,observing how human interventions altered the land in accord with ideas of progress and new trends in consumption. In Processed Views: Surveying the Industrial Landscape, we revisit the landscape, this time at the seductive and alarming intersection of nature and food technology.We came to Processed Views from a previous project about the nurturing aspect of food. In those photographs, we traced the emotional and physical energy that flows through the intimate act of preparing and sharing food. The flip side of mealtime in America, however, is the complex, impersonal system of industrial agriculture, food processing, and marketing. As our country moves further away from traditional sources of food, we enter uncharted territory with its myriad unintended consequences for the environment and for our health.Throughout our collaboration, we have turned to history as a source of inspiration. We reference here the work of Carleton Watkins (1829-1916), whose iconic photographs honored nature and documented development on the frontier. His images were made at a critical time in the ongoing oppositional relationship between American industrial development and conservation. We are at another such historical moment today.Processed Views presents a provocative encounter with the average American diet. We ask ourselves and our viewers to reevaluate this supposed utopia. Have we oversold our technological ability to bend the forces of nature, whether to fulfill fantasies of a fun food diet or to meet heroic expectations of feeding the world? We hope this work serves as a cautionary tale, where we can extract lessons from the past and pause to consider the consequences of our choices.
Stellas at Fotofest -  Portfolio Reviews  -


Menil Collection and Rothko Chapel

 

 

 

 

 

Additional Activities attached to Fotofest


 

  

 


Marfa Dialogues
Farewell Hodown  Lawndale Arts Center - Hillerbrand & Magsamen Exhibition
Barb views Turrell Installation- Museum of Fine Arts Houston
Lindsay views Turrell Installation



Farewell Ho-Down Houston Barbeque
Menil Collection Nourishment

Tuesday, April 5, 2016

Exhibition - Authentic Constructions at photo + craft conference

March 31- April 3, 2016 photo+craft, hosted by Warren Wilson College, is an unprecedented community arts event happening March 31—April 3, 2016 at multiple venues in downtown Asheville and the River Arts District.
Through exhibitions, talks, film and panel discussions, this cross-disciplinary festival explores visual and material culture in the 21st century by examining intersections between photography and craft.

April 1: Authentic Constructions exhibit as part of photo+craft symposium
Henco Gallery, Asheville SC
4:00-5:30pm
Authentic Constructions considers the multi dimensional world of photography and reveals its construction. On view March 31 – April 3. Participating Artists:Lindsay Lochman & Barbara Ciurej, Constance ThalkenJanelle Young, and Christina Z Anderson.





Lindsay with Art Widow, Molly Cassidy and Curator, Anna Helgeson

Photo + Craft  Schedule of Events: 

Friday April 1
 Exhibition and Opening Reception: “Authentic Constructions”
4-5:30pm

Keynote Speaker Fred Ritchin: “Bending the Frame: Photography and Social Change”

Broadway Arts Building
5:30-7pm
Reception 7-8:30pm

Dean of the School at International Center of Photography, Fred Ritchin has written and lectured internationally about the challenges and possibilities implicit in the digital revolution. Ritchin’s recent book, “Bending the Frame: Photojournalism, Documentary, and the Citizen”, asks the question: how can images promote new thinking and make a difference in the world?

Saturday April 2
Workshop with Robert Asman: “Cameraless Photography: Silver Figurative Rendering Salon”

The Asheville Darkroom
9am-12pm 

 Presentation and Discussion:
“Making and Meaning: Photobooks and the Social Fabric” with Clarissa Sligh and Alejandro Cartagena (moderated by Eric Baden)

Black Mountain College Museum + Arts Center
10am-11:30am

Internationally recognized artists Clarissa Sligh and Alejandro Cartagena show and talk about their work with photobooks, one of today’s most active and intimate forms of photographic practice. Cartagena’s self-published ‘Before the War’ was selected by both Time and Mother Jones as a 2015 best photobook of the year. Sligh’s new artist book, ‘Transforming Hate’, is set to be released the weekend of photo+craft. Both artists engage issues of contemporary social relevance in deeply personal ways. 

 Film Screening with Harvey Wang:
“From Darkroom to Daylight”

Altamont Theatre
1-2:30pm

Director Harvey Wang to introduce his documentary film featuring interviews with more than 20 important figures in the field of photography about the digital revolution and how this has impacted their work.

 Panel Discussion:
“Ghosts in the Machine: Finding Craft in the Digital” with James Huckenpahler, Vesna Pavlović, and Elijah Gowin
(moderated by Bernard Welt)

Altamont Theatre
2:30-4pm

This panel of working practioners discusses not only finding visual form within the digital medium, but also carefully considers the ideas that surround the materiality of photography and what craft means when working with 1s and 0s.

Keynote Speaker Namita Gupta Wiggers: “Almost Touch + Virtual Communities: Photo+Craft”

CCCD Upstairs Ballroom
5-6:30pm

Namita Gupta Wiggers, curator, educator and director/co-founder of Critical Craft Forum, asks: how does photography operate in conjunction with the handmade object? When photography – and social media – are the primary vehicles for communicating about objects, how is photography creating craft  communities?

photo+craft Celebration and Exhibition Opening: “Phantom Practices”

REVOLVE

8pm onward

A reception for “Phantom Practices”, an exhibition with works by 9 of the photo+craft presenters at REVOLVE including the panelists, Clarissa Sigh, Harvey Wang, Courtney Dodd, Robert Asman, Clay Harmon, and Alejandro Cartagena.

Sunday April 3
“Building a Collection: A Conversation with David Raymond, Hedy Fischer and Randy Shull”
(moderated by David J. Brown)

Black Mountain College Museum + Arts Center
11-12:30pm

These prominent collectors (Raymond, Fischer and Shull) discuss how they identified, formed and developed their passion for contemporary art and photography, then worked with museums as a way to share and extend their vision.

Sponsored by
Warren Wilson College

photo+craft
Asheville, NC

photocraftavl.com

Saturday, February 27, 2016

From Columbus to Celebrity chefs: How Food Helped Shape History

"Parrots and Fruit with Other Birds and a Squirrel," Tobias Stranover, c. 1710

Food. Food is essential to sustain life, has had a massive impact on the planet's environment, caused conflict between peoples and nations throughout history, and been a source of inspiration for artists and a source of entertainment for modern television audiences tuning into the latest episode of "Cutthroat Kitchen." Despite the undeniable and overwhelming importance of food, the study of the history of food remains an emerging field. It was with this in mind that Paul Freedman, a professor at Yale University, began teaching a course entitled "The History of Food" in 2009.

Freedman believes that studying the history of food can tell modern historians a lot about societies of the past, including what their diets looked like and how they produced food to feed their populations. Additionally, he points out that a number of historical events have been caused by changing tastes, exemplified by demand for sugar. The growing European taste for sugar, which was used in tea, coffee, and sweets such as chocolate, motivated European nations to establish plantations in colonies in Brazil and the Caribbean, which were worked by African slaves sent there for that purpose. Thus, Freedman argues, sugar was a driving factor behind one of the most "cataclysmic movements of people in history." In a similar fashion, expeditions like that of Columbus in 1492 were also motivated by food, this time the desire for spices from India. It is possible to conjecture that European colonization of North America may have been delayed, had Columbus not been searching for the mouthwatering flavor of Indian spices.

Outside of being a driving factor behind the colonization of the Americas, food has been featured prominently in art throughout the ages, particularly in Dutch still life paintings of the 17th and 18th centuries. Within a still life, food could have allegorical meaning, referring to stories from the Bible or acting as a memento mori, or could function as a symbol of wealth. Depictions of exotic, expensive fruit and nuts were status symbols that reflected the wealth of the owner of the painting. This practice could be compared to how a photo of a bottle of costly cold-pressed juice on Instagram is intended to reflect the wealth of its poster. Food is also an extremely popular source of entertainment for modern television audiences; the existence of the scores of food-related shows that are seemingly always available are evidence of the powerful ability of food to entertain.

Perhaps generations of the future will look back at television shows and Instagram posts to determine how food impacted the lives of those of the 21st century, much like how Freedman have used the historical record to track the effects of food on global history. Whatever the outcome, it is clear that the study of the history of food is one that holds great importance for both the past and the future.

Pierre Javelle and Akiko Ida: The Minimiam Universe



Akiko Ida and Pierre Javelle combine photography, magical landscapes, culinary backdrops, and portraiture to create settings inhabited by diminutive characters, referred to as minimiam. Each diptych reveals to the viewer a whimsical land that plays with our minds, as well as the subject. Akiko, Japanese, has always been attracted to the world of gastronomy. As a child, she invented tiny characters that populated her journal. She is a renowned food photographer. Akiko has participated in more than 30 cookbooks and her work is published in international magazines. Pierre, French, grew up on comics. He is published in major gourmet magazines and his still-like photographs appear in corporate commercials.

The MINIMIAM project morphs multiple genres of photography, including microphotography, culinary art, portraiture and landscape. The action, ranging from sporting scenes to warfare, takes place in carefully staged, fantastic, food settings. In each work, the first image introduces toy-like actors in an ambiguous setting. The second panel reveals the scene’s totality, to an unexpected, often amusing end. Though generally light-hearted and playful, the artists’ work intelligently probes fundamental questions of human perception, and how meaning is constructed and manipulated through images. 

Sophisticated photographic devices form the core of the artists' expression, which both entertain and unsettle the viewer. Using extremely short depths of field with very small apertures, the miniature characters are sharply in focus, while the surrounding landscapes are blurred. At the same time, their diminutive size contrasts with the gigantic surrounding space, allowing the viewer's eye to freely wander around the entire scene. Stage set lighting silhouettes the actors adding drama to the story, and intensifying the textures and colors of the edibles. Our appetite is piqued.

(http://madelynjordonfineart.com/exhibition/focus/pierre_javelle_and_akiko_ida_the_minimiam_universe)

Processed Views at Expo 2015 Milano - Feed a Different Imagination



The nutrition and the resources of our planet are issues of vital urgency. For this we decide to focus on the themes of 2015 Universal Exhibition ‘Feeding the Planet, Energy for Life’, and to launch our own campaign ‘Feed a Different Imagination.' The campaign is free and open to all photographers who want to contribute to inspire our need to deepen and discuss these issues. This initiative is designed by Expo 2015.




On Processed Views:

Processed Views interprets the frontier of industrial food production: the seductive and alarming intersection of nature and technology. As we move further away from the sources of our food, we head into uncharted territory replete with unintended consequences for the environment and for our health.

In our commentary on the landscape of processed foods, we reference the work of photographer, Carleton Watkins (1829-1916). His sublime views framed the American West as a land of endless possibilities and significantly influenced the creation of the first national parks.  However, many of Watkins’ photographs were commissioned by the corporate interests of the day; the railroad, mining, lumber and milling companies. His commissions served as both documentation of and advertisement for the American West. Watkins’ images upheld the popular 19th century notion of Manifest Destiny – America’s bountiful land, inevitably and justifiably utilized by its citizens.

We built these views to examine consumption, progress and the changing landscape.

(http://www.expocampaign.com/post/129274936191/barbara-ciurej-lindsay-lochman-processed-views)